"The Bride!," in theaters Friday, incorporates social justice, dance and even Mary Shelley herself in a bold new take on "The Bride of Frankenstein."

Jessie Buckley commands Maggie Gyllenhaal's 'The Bride,' but the feminist horror movie is both conspicuously DC-coded and bizarrely behind the times.

Never mind spare body parts. In Maggie Gyllenhaal’s The Bride!, our eponymous newlywed is composed of three entirely separate and competing personalities. There is Ida, a seeming gangster’s mol hanging out in 1930s Chi during the post-Prohibition boom when we meet her;